I wrote several fantasy short stories in 2020. Anyway, I also did some more research on effective advertising techniques. Maybe I had to write it out to know the character well enough, or the events underlying the story, or whatever, but all that stuff is just background and I have to cut some, if not nearly all, of what I’ve written. The Ferryman By Jez Butterworth Directed by Sam Mendes Designed by Rob Howell Composer & Sound Designer Nick Powell Royal Court Theatre, Chelsea, London Saturday 29th April 2017, afternoon CAST IN ORDER OF APPEARNCE Turlough Convery - Lawrence Malone, IRA man Eugene O'Hare - Frank Magennis, IRA man Gerard Horan - Father Corrigan Stuart Graham - Muldoon, an… They make a delicious black and blue steak salad. My story in Dragons and Dribbles was another Shijuren story. I immediately loved the way Neil Peart twisted and wove these words around into such a neat pattern. I’ve been cleaning up a number of other projects as well. But that brings up an obvious question, how do you know what the reader needs to know? Finally, there are a  few counters. You can find this post here: http://robhowell.org/blog/?p=2166. None Call Me Mother: https://www.amazon.com/dp/B08NYDC6ZL. Sorry I’m a little late from last week, mostly because I got distracted the past couple of days. “I set a course just east of Lyra Her symphony and song, Aged to perfection with all original parts, Harry Howell marks 80 years on March 24, 2019. My next release will probably be the second in the Libri Valoris series of fantasy anthologies. " This past weekend I went to DodecaCon 4 in Columbia, MO. If you ever wondered, this is why my cars are always named Rocinante. A garden to nurture and protect”, – Neil Peart (1952 – 2020), “The Garden” from Clockwork Angels. Magnum Opus by Rob Howell (Shijuren series) Cranky Bitch by Glen Cook (Black Company series) The Dregs by Larry Correia; I’m still amazed by this collection of talent. At this point, I’ve read a bunch of short stories over the years, written a dozen or so, and am in the process of editing my second anthology. In a vision once I saw: For now, though, I’m back to seeing if I can save Irina. Wheeling through the galaxies, When you lay all that out, a *down* week for me right now is still pretty darn productive. Not stupid slow, like the way I did it. It is extremely rare that I know the soul of the story when I start it. Don’t worry, I have all those murders saved and listed. Casey Moores You can find it here: https://www.amazon.com/dp/B08S71RJP5. I’m also not perfect at hitting them. I’ve got new tools to get it in front of people. Not much this week except a bit of playing around on the wiki. It goes to the editor this weekend. Exciting stuff! There will be more changes as I adapt to this amazing new opportunity. An embarrassed elf stood at my door amid swirling snow. I’ll do another post next week about my goals and plans for 2021. This is incredibly exciting and I look forward to bringing you all a bunch of great stuff to read. The Off-Broadway production of Trevor will also continue its … This week I’ve been pleased to receive a whole slew of short stories for the FantaSci anthology. The five winners will be joined by David Weber, Glen Cook, Larry Correia, Sarah Hoyt, Jon Osborne, and more. Not a bad week at all. The other guy? I also had about 70k on my blog, so all told I counted 268,072 words. That ended up over 100k words of worldbuilding, record-keeping, and foundational work. See more ideas about Scenic design, Set design theatre, Stage design. And if you want to start the series from the beginning, I Am a Wondrous Thing is here: https://www.amazon.com/gp/product/B01HHKZJVA. I’ve got some stuff working on improving the Edward novels with the anticipation of another Edward book coming soon. This includes fixing all the links in the e-versions. I did get some new words written on The Ravening of Wolves and I’ve thought through some of the blocks that have been holding me up. He has also designed both scenery and costumes for several Broadway shows, and won the Drama Desk Award for Outstanding Set Design for Ghost the Musical in 2012. It’s great to have it finally finished, in part because it’s like finishing three books at once. Also, Jon Osborne’s A Tangled Fate, the third in his Milesian Accords series, is now out in audiobook form. The gist is where offering four slots to any aspiring writer and FantaSci will pick one as their winner, but you can find the details here: https://mailchi.mp/e0ad89095250/announcing-a-contest-for-writers-everywhere. We hope you had a great day, Alyssa! Next comes the New Releases section. Not at all. Let’s do one of the deeper portions. Matilda Lyric Theatre, Sydney. I’m also working on The Ravening of Sorrows. There were a few of these submissions that suffered because the language was too modern for the setting. Even if you already have a copy so you can gift it to someone. This week’s spotlight is still on This week’s spotlight is on Christopher Woods and William Joseph Roberts, who put out their own take on the Salvage Title universe with Smuggler’s Run. With that, I better get working. Neil nurtured one hell of a garden. You have to be ruthless with your own writing and take extra stuff out. 2014 has begun afresh with new and exciting announcements about upcoming opera seasons, live broadcasts, unanticipated debuts, masterclasses, and birthdays (Happy Birthday Marilyn Horne!) You can find it here: https://www.amazon.com/Tangled-Fate-Milesian-Accords-Book/dp/B0833DWSSS/. Readers don’t always need to know technical details or the physics/metaphysics underlying a universe. Jamie Ibson My sweetie and I opened our presents last night and snuggled on the couch watching Youtube videos of Rowan Atkinson, Monty Python, and Victor Borge. I arranged None Call Me Mother in a more streamlined fashioned than my previous books. There’s an e-book on Amazon with the same title, but it’s not the same as the paperback, though the two are linked. It was always meant as a work in progress anyway and it’s serving its purpose as a font of ideas for the next Edward novel. * Still, I would say you wouldn’t go wrong at least considering these five things as you write short stories. First, let’s talk about exposition. “The Caretaker” is the first of two Pinter openings this month to mark the dramatist’s 70th birthday some five weeks ago. I have finished the new read through on A Lake Most Deep and it’ll be renewed over the next week or so. Starting next week, there’ll be new worldbuilding content that might give hints at future plans. 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